oh, well, oh well




GLENDA // ANGRY FILIPINA BASED IN MIAMI

FUNWITHNEARLYNOTHING@GMAIL.COM
INSTAGRAM: @SHY_AND_KAWAII.JPG
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tetraghost:

oct 26, 2013, someone i know from high school is dead and i don’t know what to do

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mrandmrseventwofive:

Giannina Oteto, by Chris Schoonover

—From Mrs.

(Source: cschoonover.com)

peterpanopticon:

my ride is here

peterpanopticon:

my ride is here

(Source: 10110100)


Raf Simons spring / summer 1997
By putting his suits on sapling-thin Belgian boys who were not agency models, Simons introduced the idea that a young man’s physical size was not at variance with his sense of isolation, a feeling that would have been ordinary to anyone who had grown up in Antwerp — or Rotterdam or Manchester — in isolated apartment towers built since the war, and who had spent a lot of time listening to bands like Joy Division and Kraftwerk, whose 22-minute song, ”Autobahn,” managed to convey the monotony of riding on the German superhighway. If Gucci’s caftans and Jean Paul Gaultier’s cowboy chaps didn’t represent the same emotional trip to this generation, Simons’s minimalist suits did. They became the dominant silhouette of the late 90’s. I once asked him what made him think of that shape. As usual, he had a straightforward explanation. ”It was just because we were so small,” he said.

Raf Simons spring / summer 1997

By putting his suits on sapling-thin Belgian boys who were not agency models, Simons introduced the idea that a young man’s physical size was not at variance with his sense of isolation, a feeling that would have been ordinary to anyone who had grown up in Antwerp — or Rotterdam or Manchester — in isolated apartment towers built since the war, and who had spent a lot of time listening to bands like Joy Division and Kraftwerk, whose 22-minute song, ”Autobahn,” managed to convey the monotony of riding on the German superhighway. If Gucci’s caftans and Jean Paul Gaultier’s cowboy chaps didn’t represent the same emotional trip to this generation, Simons’s minimalist suits did. They became the dominant silhouette of the late 90’s. I once asked him what made him think of that shape. As usual, he had a straightforward explanation. ”It was just because we were so small,” he said.

(Source: dekonstruktivisme)

zsche:

COMME des GARÇONS x Daniel Clowes.

zsche:

COMME des GARÇONS x Daniel Clowes.

(Source: clonist)

Interface (무)작위
Ray of light 빛의 살

(Source: killheji)

stablevertigo:

What I mean when I say “I can’t do that”- Anxiety Version:

  • I am unable to do that
  • I am too stressed out to do that
  • I cannot face the humiliation of attempting to do that
  • My body will physically not allow me to do that
  • I am on the verge of a panic attack
  • I cannot do that

What people hear:

  • I am unwilling to do that
  • I am just shy
  • I am overreacting
  • I am lazy
  • I need to get more experience in social situation to help my anxiety
  • I need a push
  • I don’t want to do that

Inspired by X

I am so sorry to all the people I hurt while I was hurting.

nevver:

Death Valley days, Jordan Sullivan

harinef:

that filter!! truly an important fílim

harinef:

that filter!! truly an important fílim

(Source: a7r7)

blastedheath:

Jonas Wood (American, b. 1977), Schindler Apts, 2013. Oil and acrylic on canvas, 132 x 112 in.

blastedheath:

Jonas Wood (American, b. 1977), Schindler Apts, 2013. Oil and acrylic on canvas, 132 x 112 in.

61cy:

lacoste s/s 2015

(Source: dope-boy)